Labrinth Goes Off on Euphoria and Columbia: 'I'm Done'

Labrinth just set fire to two of the biggest relationships in his career — and he didn't seem interested in putting it out.

The British artist, whose haunting, genre-defying work on the Euphoria soundtrack turned him into one of the most recognizable names in modern TV scoring, posted a blunt message on social media that left zero room for interpretation. "F— 'Euphoria.' I'm done with this industry," he wrote, as reported by Variety Music. The post appeared to take aim at both HBO's flagship drama and his label, Columbia Records.

For anyone who's followed Labrinth's trajectory over the past few years, this feels like a genuine shock. His compositions for Euphoria didn't just serve as background music — they practically became the show's emotional backbone. Tracks like "All For Us" and "I'm Tired" crossed over from soundtrack cuts to standalone cultural moments, racking up hundreds of millions of streams and earning him a fervent audience that found him through the series rather than the other way around.

That's exactly what makes this so striking. Labrinth's name and Euphoria have been nearly interchangeable in the public consciousness. Walking away from that association — loudly, publicly, and with profanity — suggests whatever happened behind the scenes wasn't a minor creative disagreement.

The specifics remain unclear. He didn't elaborate beyond the initial post, and neither Columbia nor HBO have publicly responded. But the possibilities aren't hard to imagine. Disputes over creative ownership, backend compensation, and label control have become increasingly common flashpoints for artists, especially those whose work sits at the intersection of music and visual media where rights can get messy fast.

“His compositions for Euphoria didn't just serve as background music — they practically became the show's emotional backbone.”

It's also worth noting the broader context. Euphoria itself has been in a state of uncertainty, with its future seasons subject to ongoing delays and behind-the-scenes turbulence. Whether Labrinth's frustration is tied to the show's production chaos, his label situation, or both is still an open question.

What's clear is that one of the most creatively distinctive artist-show partnerships in recent memory appears to be over — at least from one side. Keep an eye on whether Labrinth follows this up with more details, or whether Columbia and HBO try to smooth things over before the story gets any louder.